{"id":14726,"date":"2026-08-06T16:24:53","date_gmt":"2026-08-06T15:24:53","guid":{"rendered":"https:\/\/lorenzocortes.com\/en\/services\/immersive-music-composer\/"},"modified":"2026-08-06T17:30:04","modified_gmt":"2026-08-06T16:30:04","slug":"services-immersive-music-composer","status":"publish","type":"page","link":"https:\/\/lorenzocortes.com\/en\/services\/immersive-music-composer\/","title":{"rendered":"Immersive Music composer"},"content":{"rendered":"

Spatial Audio<\/h1>\n
\n

The way we experience music and sound is changing. Today, feeling matters as much as hearing.<\/i><\/p>\n<\/blockquote>\n

\n
\n
\"Control
Control room \u2014 7.1.4 monitoring, wired for 9.1.6<\/figcaption><\/figure>\n
\"Four
The height layer: four ceiling monitors<\/figcaption><\/figure>\n
\"Steinberg
Spatial panning in Nuendo: the room from above and behind<\/figcaption><\/figure>\n
\"Control
Control room and live room<\/figcaption><\/figure>\n
\"Ceiling
A height-layer monitor up close<\/figcaption><\/figure>\n
\"Dolby
The room, working<\/figcaption><\/figure>\n<\/div>\n

Swipe to see the room \u2192<\/p>\n<\/div>\n

Brands, live shows and physical spaces need to reach their audience in an immersive way. In this new era of sensory content, multichannel music becomes a key tool for creating emotional impact and a memorable experience. Investing in enveloping sound design means investing in a unique, three-dimensional sonic identity<\/b>.<\/p>\n

Against the standard use of stereo or generic libraries, spatial and multichannel audio adds depth, narrative and genuine differentiation<\/b> in any physical or digital environment.<\/p>\n

Spatial audio composer<\/h2>\n

The composer of immersive experiences sets out to create soundscapes and musical pieces that surround, envelop and move<\/b> the listener, connecting with the values, the setting and the message the brand or the event wants to convey.<\/p>\n

From the most technical brief to the most artistic one, I design and compose in 5.1, 7.1, Dolby Atmos and Auro-3D<\/b>, adapting the content to theatres and live venues, museum experiences, installations, VR, AR and high-impact corporate presentations<\/b>.<\/p>\n

Starting from the conceptual briefing, these are some of the applications I develop:<\/p>\n

Immersive identity for brand experiences<\/h3>\n

A short, memorable, enveloping piece that draws the visitor into the sonic universe of the brand. Built with real spatialisation, this sonic identity can be deployed in physical installations, 360\u00ba presentations or augmented reality environments.<\/p>\n

3D music and videomapping for events and live shows<\/h3>\n

Original composition conceived to unfold in multichannel environments. From live shows to immersive projections, I write works that use the three-dimensional space of sound to reinforce the narrative and the visual impact of the event.<\/p>\n

Sound capsules, stings and immersive effects<\/h3>\n

Short fragments designed to draw attention, bridge a transition or heighten emotion at specific moments of the experience. They can be integrated into installations, dynamic audio systems or as interactive elements in virtual environments.<\/p>\n

Spatial beds and 3D ambiences for installations<\/h3>\n

Music and sound design for exhibitions, retail spaces, product launches and interactive installations. Compositions tailored to the real physical environment to create a coherent, enveloping atmosphere.<\/p>\n

Immersive and videomapping projects<\/h3>\n

ORIGEN<\/b>, Senda Viva \u2014 an immersive show by \u00c1ngel Sandimas with spatial audio design.<\/p>\n